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Western Addiction are now streaming "Masscult, Vulgarians And Entitlement", taken from their forthcoming album "Tremulous", which will be out March 10 via Fat Wreck Chords.

Tremulous: to display timidity or nervousness, or shake or quiver slightly. It’s an odd word, one not used commonly in the modern English language—you’re far more likely to come across it in James Joyce’s Ulysses, for example, than in your average hardcore record. But here we are, with Western Addiction’s new full-length, Tremulous, an album embodying the anxiety, dread, worry and anguish omnipresent in modern day America. "The word ‘tremulous’ just felt right,” says frontman Jason Hall. “It sums up the theme of the entire record in one word.” Hall puts a premium on the words associated with Western Addiction; every song tells a story, sometimes with uncomfortable specifics and every title and lyric is meant to resonate with the listener on a different level.
 
While the San Francisco band’s sophomore effort comes nearly 12 years after their debut, Cognicide, don’t think they have grown out of hardcore. Tremulous rips its way through 11 explosive tracks, delivering a consistent sound strongly rooted in the past (picture an alternate universe where Milo Aukerman, Greg Ginn and Fugazi’s rhythm section formed a band) that is plenty aggressive (“Ditch Riders,” “Masscult, Vulgarians and Entitlement”) and surprisingly melodic (“Righteous Lightning,” “Honeycreeper”). It sounds like the same band that made Cognicide, just older, wiser—but still pissed off.